Confira o NCD Trends #51 Esta semana: Catarinenses premiadas em concurso nacional, Ponte Viva Hercílio Luz, novo showroom assinado por Henrique …
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Aveda Summer Trends.
Sidestepping the thinning membrane of today’s inflated trends, Afriqua (aka Adam Longman Parker) forgoes specialization in any particular genre, all the while achieving equilibrium between youthful inventiveness and a mature artistic philosophy. Parker demonstrated instrumental dexterity at a young age through his studies of classical piano, skills which would translate to DJing and turntablism at age 10.
While studying piano at the Interlochen Arts Academy, Adam Longman Parker quickly took an interest to music production, which would complement his classical studies a few years later at The Royal Academy of Music in London.
With a fresh awareness of the global electronic music scene, a revived interest in DJing, and an unyielding passion for discovery, Parker has settled into a constant creative flow living in Berlin. Informed equally by the minimal, unrefined hip-hop of the early 2000s in Virginia and the thematic exploration of 20th century composition, Parker’s innovative releases have seen success and support on renowned labels including Tiefschwarz’s Souvenir Music, 2nd Drop Records, F4T Music, and Lokee Musik.
Adam Longman Parker asked me to design a brand identity for his musical alter ego, Afriqua, that conveys his equilibrium between sophisticated classical and experimental electronic music.
Combined with a modern approach, the identity reflects this balance with a classic serif logotype, including a custom logomark. The A is able to hold a dynamic mix of content – photographs, paintings and graphics – which combines Adam’s interest for art and music. The identity has been incorporated to Afriqua’s website and preferred social medias.
Creative Field(s): Art Direction, Branding, Graphic Design.
Credits: Thorbjørn Gudnason
Track: Afriqua – Three Songs With Words Remixed By Jack Dixon
A presentation created for HCAD 600 (section 9080) at UMUC, taught by Professor Hsu. This presentation discusses different macro trends that affect healthcare …
New York Fashion Week F/W 2015 – Backstage with Bumble and bumble stylist Paul Hanlon for Vera Wang.
Autobuyers takes a look at the mid level variant Ford Everest. How does it differ from the base Ambiente and top of the line Titanium? Find out in this quick …
Browns Celebrities for Charity Behind the Scenes with THEA ANDREWS for the PRINCESS MARGARET HOSPITAL FOUNDATION Music by The Tanuki Project
Sau 6 tập lên sóng, “Chạy đi chờ chi – Running man Việt Nam” đã trở thành “món ăn tinh thần” không thể thiếu với khán giả, liên tục lot top trending của …
Marija Bozinovska Jones – Fascia 171208180222
Performed at the SONIC ACTS ACADEMY opening
23 February 2018 – Dansmakers, Amsterdam NL
Music and sound design: J.G. Biberkopf
Programming producer: Jayson Haebich
Virtual voice assistant: MBJ Wetware
“Fascia 171208180222” positions the contemporary self as a relational matrix enmeshed in surveillance economies, while contemplating state of equilibrium.
Marija Bozinovska Jones (Macedonia/UK) explores social, computational, and living architectures. Her work addresses the formation of identity in an era of techno-capitalist amplification, probing the self as a datafied and distributed identity through MBJ Wetware. She contemplates mimicry of bio systems through auto-regulation and coping mechanisms – from trends in self-improvement to decentralised blockchain technologies. Her performances and presentations have taken place at Haus der Kulturen der Welt/ Transmediale, CTM, Mutek and Somerset House in London, where she is currently undertaking a studio residency.